@article{ 
author = {adineh, ali and KianiDehkiani, Gholamreza and malian, abbass},  
title = {HBIM; New technology in documenting architectural heritage A case study: Mosque of the second courtyard of Rabat Sharaf}, 
abstract ={BIM technology makes it possible to create an accurate virtual model of a building, and the main goal is to maintain construction information throughout its life. This technology has also been used in the documentation of historical monuments. Modeling by aided this technology in historical buildings is known as the abbreviation HBIM, which provides a new method for modeling in the field of architectural heritage protection and includes digital model making, documentation, storage, and information management. The HBIM process involves surveying existing structures through remote sensing and using terrestrial laser scanning data, followed by point cloud processing and creating a 3D model of orthoimages. Therefore, the final result of HBIM is a product consisting of 3D models of the building, including all the details of the work and components related to its construction methods and decorations. In addition, it can also be used to generate protection documents for analysis automatically. In addition to drawing a 3D model in this environment, it can be enriched with the possibility of creating more capabilities to link with intangible heritage information such as historical images and texts and so on. Therefore, the HBIM modeling process can be considered as representing all the information of a built building, which includes a reverse engineering solution, by which complete engineering can be obtained from the survey data. &#160;},  
Keywords = {HBIM, BIM, Documentation, Architectural heritage, Mosque of the second courtyard of Rabat Sharaf},
volume = {14},
Number = {39}, 
pages = {1-22}, 
publisher = {Art University of Isfahan},

doi = {10.52547/mmi.134.14020716},
url = {http://mmi.aui.ac.ir/article-1-1409-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1409-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2024}  
}

@article{ 
author = {Mehrdadian, Nadia and Rahimnia, reza and moazen, saj},  
title = {Search in recognizing historical buildings based on different documents link; Case study: Kahak Water-Mill in Tehran}, 
abstract ={Considering the recognizing values of historical building in order to conservation is necessary, it is possible to be successful by familiarity with the methods of extracting information from various documents and the link between them. Various historical documents include written documents, oral documents, visual documents, objects and the historical building itself, which can be examined in order to recognition and represent the identity and Authenticity of the heritage. This study&#39;s main purpose is the process of achieving comprehensive knowledge through the link between different types of historical documents. This study tries to pave the way for researchers by clarifying the path of using different study documents and using them in the process of recognizing a historical building, which tries to identify the total information obtained from linking them by descriptive-historical method by correctly reading the available sources and analyzing the data. In order to better understand, Kahak Water-Mill in Tehran has been considered. In relation to this building, reading of written documents (Deed Of Endowment) and visual documents (aerial photograph) is the main field of recognizing, which is completely how to read, extract information from them and examine their link with other documents in a comprehensive recognition of kahak water-mill building, has been considered. Finally, the method of establishing this link and using all the documents together is stated, can be generalized to other historical monuments. &#160;},  
Keywords = {Conservation, Recognizing, Historical Buildings, Historical documents, Kahak Water-Mill},
volume = {14},
Number = {39}, 
pages = {23-37}, 
publisher = {Art University of Isfahan},

doi = {‎10.52547/mmi.240.14020718},
url = {http://mmi.aui.ac.ir/article-1-1423-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1423-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2024}  
}

@article{ 
author = {GarakaniDashteh, Shahi},  
title = {Architectural Complexes Based on the Pattern of Jilukhan During the Timurids, Shaybanids, and Ashtarkhanids (Case Studies: Sultan Soadat, Anu, and Charbakr)}, 
abstract ={Jilukhan is an area that was placed in front of some buildings and its use has been very widespread from the Safavid era to the contemporary period. Despite this, the formation and evolution of the Jilukhan model cannot be attributed only to this period. The evidence left from the Timurid era shows the presence of this pattern in the architecture of this period. Not only has this model been used in this period in the design of the entrance area of the building, but it has also been used in the arrangement of buildings in several complexes such as Guri-mir, Sultan Soadat, and Anu. It has continued to follow the model of Jilukhan in the construction of architectural complexes, especially in the regions Transoxiana and Great Khorasan, after the Timurid period and in the Shaybanid and Ashtarkhanid eras, which shows the importance of this model in the design of architectural complexes in this geographical region and this time. This research aims to study the roots of the formation of this form of construction, which has had an effective presence in Iranian architecture, by studying the early examples and also two representative examples belonging to the Timurid era (Sultan Soadat and Anu Complexes) and one example belonging to the Shaybanid period (Charbakr complex) as well as other recent samples in this geographical area. The main questions that this research seeks to answer are, what were the origins of the formation of the Jilukhan-shaped complexes in Transoxiana and Great Khorasan during the Timurid, Shaybanid, and Ashtarkhanid periods? And, in how many categories can these complexes be classified in terms of the position of the buildings relative to each other, based on the evolution of the Jilukhan-shaped complexes in the three eras of the Timurid and Shaybanid and Ashtarkhanid? This research has been carried out with an analytical-historical approach and its results show that it is possible to divide the Jilukhan-shaped complexes into two main categories in the Qash style (in front of each other) and in the Joft style (Pair with each other) in terms of the way the building is placed. It is possible to attribute the roots of Qash-style Jilukhans to the long history of the construction of two buildings that face each other in the Transoxiana region, and it is also possible to know the origin of Joft-style Jilukhans in the retreat of the building from the row of other buildings from the side of the passages to strengthen the inviting state.},  
Keywords = {Timurids, Shaybanids, Ashtarkhanids, Architectural complexes, Jilukhan},
volume = {14},
Number = {39}, 
pages = {59-58}, 
publisher = {Art University of Isfahan},

doi = {‎ 10.52547/mmi.1170.14020718},
url = {http://mmi.aui.ac.ir/article-1-1349-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1349-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2024}  
}

@article{ 
author = {esmaieliberneti, erfan and karami, islam and dehganmongabadi, abolfazl},  
title = {The Investigating the role of flexibility of urban spaces in socialization and vitality of the third place (Case study: Sari city melal park)}, 
abstract ={Today, some urban parks are not very sociable and lively despite paying attention to environmental issues, and even in some cases, they have been raised as problematic spaces. For this purpose, the purpose of this research is to investigate the role of flexibility and its effect on sociability and vitality and to identify the contribution of each of the factors affecting the urban space in the realization of a successful public space. Also, the current research is descriptive-analytical research in terms of its nature, and in terms of time, it is a prospective cross-sectional research, and in terms of its purpose, it is part of applied research, and in terms of process, it is considered part of quantitative method. First of all, the current research is non-experimental, secondly, these researches have different models, some of which are only for description, some other researches, in fact, this research is part of this category, are of the correlation type. In this type of correlation studies, relationships between variables are investigated. Also, the sampling method in this research is the test-making method, in which approximately eleven people were selected for each item; The number (464 people) was set as a sample and criterion, and a questionnaire was distributed among this number of citizens. Data analysis was done through correlation and regression, structural equations in Lizrel, Spss software. The results of the research showed that National Park has average conditions with sociability (3.17) and flexibility (3.01); And with the vitality score (2.86), it is not lively. Also, as the vitality of the urban space fades, the spaces take on the color and smell of a silent space, and over time, other components of success in the space also lose their ability, and thus the urban space becomes a space just for passing. But the researcher&#39;s solution is to take the public space out of the silent state and achieve a sociable and successful space through strengthening and upgrading the vitality index and with a catalyst called flexibility.},  
Keywords = {Flexibility, third place, sociability, vitality, urban space},
volume = {14},
Number = {39}, 
pages = {59-85}, 
publisher = {Art University of Isfahan},

doi = {‎ 10.52547/mmi.1728.14020802},
url = {http://mmi.aui.ac.ir/article-1-1491-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1491-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2024}  
}

@article{ 
author = {sarrafzadeh, ahmad and Hashempour, Parisa and Gharehbaglou, Minou},  
title = {Perception of the patterns and concepts used in Xowun decoration in the Qajar houses of Dezful}, 
abstract ={&#160;Islamic architecture is a platform for the Muslim society, which can be considered as the experience of human groups with perceptive powers. Therefore, paying attention to the deep levels of human perception requires a valuable historical background, which is provided in Dezful brick decorations. The aim of the research is to investigate the meaning and comprehensibility of decorative patterns on the minds of users. The present research is a combination of quantitative and qualitative method, which is used to describe and analyze research data by examining case samples, library studies, and Vicor method. About the results of the research, it can be stated that there is a relationship between the perception of the Muslim human and the concrete patterns, which can be investigated through the considered concepts and meanings. Also, the perception of Xowun decorations is formed by the mental powers of the artist or architect and the ruling thoughts of the Muslim society which is a manifestation of human thoughts, so that by applying the thought in the patterns used in each of the decorations, its external and internal levels are determined. Therefore, the quantitative and qualitative analyzes show that the decorative groups are in the belief and religious, hybrid, and plant categories that have the greatest impact on the concepts and the geometric, technical categories have a lesser impact.&#160;},  
Keywords = {Human Perception, Finding Meaning, Decorative Patterns, Xowun Decoration, Houses in Qajar era, Dezful Architecture.},
volume = {14},
Number = {39}, 
pages = {87-106}, 
publisher = {Art University of Isfahan},

doi = {‎ 10.52547/mmi.2375.14020806},
url = {http://mmi.aui.ac.ir/article-1-1449-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1449-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2024}  
}

@article{ 
author = {Hayati, Hamed and Akbari, Hassan and Moradi, Marzieh},  
title = {Proposing a Method to Project Persian Girih Tiles on Free-Form Surfaces (Case Study: The Ten-Ray Acute Girih)}, 
abstract ={Geometry is the primary indicator of Persian-Islamic architecture and art. All of the ornamental features in traditional architecture containing, brick works, plaster works, or any tiling are constructed based upon geometrical rules. This geometry is two-dimensional and could be applied on any 2D surface by using a simple ruler and compass. In contrary these geometries have an admissible level of elaboration and creativity to create a valuable set of ornamental geometries in Persian architecture. Girih tiles are one subset of these ornaments which mostly appear in cornices and tiling. Notwithstanding the growth of contemporary drawing tools and methods, there are few methods to draw or depict these two dimension geometries on non-uniform surfaces, especially free-form surfaces. The main question is how to draw and transfer these two-dimensional drawings on free form surfaces? Based upon this question; this paper aims to propose a method to project a Girih module on a free-form surface by converting the selected Girih drawing logic to an algorithmic process. This method locates each point of the Girih tile on the final surface by creating a biunique correspondence between Girih 2D domain and the free-form surface 2D domain. Finally, the Ten-Ray Acute Girih module is depicted on a free-form surface and can be duplicated and manipulated simultaneously. Additionally, each Girih tile has a separate attractor parameter thus each tile can be controlled separately.},  
Keywords = {The Ten-Ray Acute Girih, Grasshopper, Free-Form Surfaces, Parametric Drawing},
volume = {14},
Number = {39}, 
pages = {107-121}, 
publisher = {Art University of Isfahan},

doi = {‎ 10.52547/mmi.2352.14020718},
url = {http://mmi.aui.ac.ir/article-1-1478-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1478-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2024}  
}

