@article{ 
author = {HasanpourLoumer, saeid and Toofan, Sahar},  
title = {Typology and factors affecting the formation of architecture of historical bridges in Guilan province (with a look at bridges of Safavid and Qajar historical periods)}, 
abstract ={Due to rainfall and climatic conditions, Guilan province owns several bridges from past historical periods. The present study investigates the typology and recognition of factors affecting the formation of Safavid and Qajar historical bridges in Guilan province. The research seeks to answer the following questions; which factors have been effective in the formation of different types of Safavid and Qajar bridges in Guilan province? What are the differences between Safavid and Qajar bridges in Guilan in terms of structure, geometry, type of arch, materials and architectural decorations? Accordingly, based on library studies, the characteristics of 15 historical bridges of Safavid and Qajar eras in Guilan province were collected and in the next step, based on field studies, the factors affecting the formation of bridges were studied. For geometric analysis of bridges, manual drawing methods, PhiMatrix Professional, and Atris golden section software have been used. The research results show that religious and economic commonalities, development of Iran's political relations with the West, and the leisure of the Safavid kings were among the main factors in the formation of the Safavid bridges. Safavid bridges have three different types; single-span, two-span and four-span bridges. The use of sharp and slight panj-o-haft arches, multiple Karbandis, prominent brickwork, presence of accommodation space, circular-shaped buttress, two-stage sloping, rectangular-shaped bases and circular and rhombus breakwaters are common in Safavid bridges of Guilan. The most important factors in the formation of Qajar bridges include controlling the relationship and reducing tensions between the West and Iran, economic goals and establishing urban and rural connections. Qajar bridges include three different types of single-span, single central span and double side arches, and single central span and four side arches. The use of small arches, backward brickwork, single-sided slope and circular form in the breakwater, buttress and rectangular form in the bases and the lack of accommodation space, Minaret and Karbandi is common in Qajar bridges of Guilan province.},  
Keywords = {Bridge, Guilan Province, Safavid, Qajar, Typology},
volume = {12},
Number = {30}, 
pages = {1-24}, 
publisher = {Art University of Isfahan},

doi = {‎10.52547/mmi.170.14000703},
url = {http://mmi.aui.ac.ir/article-1-1227-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1227-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2022}  
}

@article{ 
author = {Khaleghian, Sima and Motia, Mahdi and Saadvandi, Mahdi},  
title = {Qur\'anic reading of the meaning of "architecture" according to the Sharif verse 61 Hood}, 
abstract ={The Holy Quran is the guidebook of life and the architecture is the container of human life.  The Architecture take shapes of life.The concepts outlined in the Holy Quran as a guide to life can help to produce theoretical concepts in the field of architecture. This study explores the realization of the concept of the word "Eimara" in the Quran and seeks to ask: what are the meanings of architecture and what can be deduced from the above verse and how can these concepts be realized in architecture. The purpose of this study is to understand the various facets of the divine in architecture and to promote its architectural meanings. Theoretical foundations of the research are presented in the semantic studies of the word "Eimara". The semantic method is used to explain the semantic components of the words in the phrase " He has produced you from the earth and settled you in it " in verse 61 of the hood: "And to Thamud [We sent] their brother Salih. He said, "O my people,worship Allah; you have no deity other than Him. He has produced you from the earth and settled you in it, so ask forgiveness of Him and then repent to Him. Indeed, my Lord is near and responsive"                                                                                       The results of this study show that in the historical linguistics of "Amara" and chr('39')Abadachr('39') both have been used interchangeably; therefore, the two words have a common or semantic derivation at the root, therefore prosperity can be a part of thraldom and also thraldom can cause prosperity. “Istiemar” over the weight of "Istafeal" demands the building; that is, God created man from the earth and asked him to build it; it is inferred from the reflection in the Quranic verses that although architecture must be safe, "building" does not just mean building a spatial body; That the Creator has placed the earth in control of man and the cradle of his peace, man must be able to accommodate architecture to meet the material and spiritual needs such as thinking, worship, and peace of heart, and architecture must fit as time goes on. That the Creator has placed the earth in control of man and the cradle of his peace,man must be able to accommodate architecture to meet the material and spiritual needs such as thinking, worship, and peace of heart, and architecture must fit as time goes on. To grow with time and time,to grow and provide a platform for people to flourish.The result of this study highlights the semantic architecture of the verse in six architectural discussions as the factor of living in a place, the place for human relaxation, the place of growth and training, the context of the heaven and human spiritual life, the architectchr('39')s role as the caliph of Allah and the manifestation of God. In the place of human life, he points out that“Istiemar”on earth leads to a human orientation towards God, a desire for divine forgiveness, and a readiness to receive Godchr('39')s mercy},  
Keywords = {Qur'anic reading, architecture, semantics of architecture},
volume = {12},
Number = {30}, 
pages = {25-40}, 
publisher = {Art University of Isfahan},

doi = {‎10.52547/mmi.258.14000712},
url = {http://mmi.aui.ac.ir/article-1-1187-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1187-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2022}  
}

@article{ 
author = {Hamzavi, Yaser},  
title = {The study of canvas-marouflaged murals Conservation and restoration criteria in Iran}, 
abstract ={Abstract All stages of the Conservation of historical properties must be done according to criteria that are in fact the separator of the correct from the incorrect. Some criteria are general and apply to all types of historical artworks, and some of them can be considered more limited to some types of historical artifacts. Canvas-marouflaged murals, like other historical artworks, are no exception, and both types of Conservation criteria include this particular type of artworks (canvas-marouflaged murals). Since few specialized studies have been conducted in the field of recognizing the characteristics as well as the conservation approaches of canvas-marouflaged murals; On the other hand, for the proper Conservation and restoration of these works, accurate scientific knowledge is required, Therefore, in this study, by reviewing the international charters, guidelines and theories, as well as reviewing the experiences of Conservation and restoration of canvas-marouflaged murals in outside of Iran, some criteria have been introduced so that based on it, correct interventions on canvas-marouflaged murals can be done. Also it will be possible to make a correct analysis of the last actions that have been done in previous years and periods on such historical artworks. The aim of the present study is to achieve the essential criteria of conservation of canvas-marouflaged murals. In this regard, applied-developmental research with the method of finding: A: Study of specialized texts. B: Carrying out field studies, C: Review and analysis of the results of the study of specialized texts and field studies are done. Based on the studies have been conducted and also analyzing them, the criteria of Conservation of canvas-marouflaged murals are presented, for each of which, examples of Iranian works and related suggestions for Restoration interventions and proper display of canvas-marouflaged murals are also presented.  },  
Keywords = {canvas-marouflaged mural, Conservation criteria, Authenticity, Integrity},
volume = {12},
Number = {30}, 
pages = {45-56}, 
publisher = {Art University of Isfahan},

doi = {‎10.52547/mmi.580.14000629},
url = {http://mmi.aui.ac.ir/article-1-1138-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1138-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2022}  
}

@article{ 
author = {falsafitonekaboni, zahra and karimpour, alirez},  
title = {Explanation of environmental meaningfulness indicators effective measures to promote sense of place in administrative spaces (Statistical Society: Tehran province employees)}, 
abstract ={Problem Statements: These days, realize the environmental meaning and promoting the sense of place in architecture has been taken into consideration. Since the sense of place is a means of subjective perception of people from their environment and feelings of low and more conscious of their environment, and office work space is interconnected with people, hence organizations need a favorable atmosphere for their functional needs to create job satisfaction in employees. Increase the organizationchr('39')s productivity. Of the most important factors affecting job satisfaction, physical and spatial factors of the workplace.  That puts the person in an inner relationship with the environment so that the understanding and feel of the person is linked and integrated with the semantic context of the environment. This is a sense of a factor that transforms a space into a place with a sensory and behaviore characteristics for employees. Objective: The main purpose of this study is to investigate the environmental meaning, the concept of sense of location and factors affecting it, the impact of physical and spatial factors, prioritizing the propellants effective on promoting the sense of location in office spaces. Research Methodology: In this study, 8 main questions and 4 questions of demographic among 385 employees of Tehran province were studied and the effect of each of them on workplace desirability was determined. Results: The results of this study reveal the development of physical and spatial quality in the offices, attention to sound, vegetable and temperature in order to be more impressive.},  
Keywords = {Environmental meaning, Sense of place, Office spaces, Tehran Province employees},
volume = {12},
Number = {30}, 
pages = {57-72}, 
publisher = {Art University of Isfahan},

doi = {‎10.52547/mmi.1938.14000629},
url = {http://mmi.aui.ac.ir/article-1-1192-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1192-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2022}  
}

@article{ 
author = {sadeghi, shima and Pourjafar, Mohammad Reza and ranjbar, ehs},  
title = {Measuring the design characteristics of cultural axes;   From the perspective of creative tourism aimed at recreating culture-based in the historical context of Isfahan}, 
abstract ={The gradual exhaustion of Iranian historical contexts has forced anchors, designers, and people to use regenerative and recreational approaches. Combining recreation with creative tourism and a long-term guaranteed income culture will bring about a resurgence. Understanding the paradigms and principles between the two approaches is important with an emphasis on the cultural context in urban spaces such as cultural axes. The purpose of this study is to evaluate the effect of common approaches of the two approaches on the streets and cultural axis in Isfahan historical contexts. For this purpose, two basic questions are raised: what are the effective indicators from the perspective of creative tourism approach to recreate the historical texture of Isfahan city through urban axes? And what other indicators have the highest and lowest weight in the cultural-tourism axes implemented? The bottom line is applied research. Research data comes from exploratory and library studies. The data are described through qualitative studies and their analysis is based on qualitative methods. The type of research is qualitative and involves methods such as interviewing and qualitative analysis of documents and the results are qualitative. Achievements demonstrate that the synergy of creative tourism in the forms of creative hardware, creative software, creative organizations with culture-based strategies of recreation, such as tourism, orbital event, branding can bring about a revival of the context. Become a long-term history. The emergence of the synergistic effect of these two approaches in urban spaces can be traced through the streets and through cultural centers, and culture also acts as a driving force for development in urban spaces. Forty indicators have been extracted to measure the quality of cultural axes in four physical, social, economic and environmental dimensions. Based on the findings, the evaluation of the effect of each indicator qualitatively with an emphasis on culture showed that the social and economic dimension had more obvious weaknesses than both physical and environmental dimensions.},  
Keywords = {Culture-led regeneration, Creative tourism, Cultural axes},
volume = {12},
Number = {30}, 
pages = {73-84}, 
publisher = {Art University of Isfahan},

doi = {‎10.52547/mmi.1739.14000710},
url = {http://mmi.aui.ac.ir/article-1-1092-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1092-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2022}  
}

@article{ 
author = {Naeemi, Mohammad Reza and HabibiLialestani, Milad and Pourmand, Hassan Ali},  
title = {The Study on the Evolution of Designing Approaches of the Modern Mosques in the Second Pahlavi Period with an Emphasis on Critical Regionalism (Case studies: Al-Javad Moque, Tehran University Mosque, Ahvaz Jondi-Shapour University Mosque, Hazrat-e-Amir Mosque, Kanon Tohid Mosque)}, 
abstract ={During the second Pahlavi period, modernism was supported at the cultural level of society, which extended to the design of mosques and led to the construction of Modern mosques. Afterwards, with the institutional support of the government given the capacities of Iranian traditional and regional architecture by holding conferences, in parallel with the criticisms of the rapid modernization of this era, the regionalist approach emerged, which was the critical approach of the stylistic features of modernism as well as the legacy of the past. The question is, what are the similarities between the modern mosques of these two decades and what are the differences between the regionalist mosques as a reaction to the modern mosques? What factors have led to the change of design approach in modern mosques? This paper deals with the evolution of the design of modern mosques in Iran between ١٩٦٠ and ١٩٧٩ with a descriptive-analytical method. In this study, the theory of critical regionalism is used to analyze and categorize modern mosques and show the changes in the design of regional mosques of the ١٩٧٠s compared to modern mosques of the ١٩٦٠s. The paper aims to categorize legibly and more reasonably the evolution of modern mosque design approaches concerning the historical context and theoretical currents of architecture to provide a basis for reading modern mosque design approaches after the Islamic Revolution. The regional mosques of the ١٩٧٠s unlike modern mosques of the ١٩٦٠s, which can only be perceived by the visual perspective, are the tactile or multi-sensory works. The regional mosques of the ١٩٧٠s are innovative and new in terms of volume, like Al-Javad Mosque, but in their design approach, sensitivity to cultural identity and attention to the local matter can be followed. However, in the process of designing with a critical approach, they have made a synthesis of the tradition of Iranian architecture with modern style and technology, which does not show imitation or historical return like the Tehran University Mosque.},  
Keywords = {Iranian Contemporary Architecture, Modern Architecture of Second Pahlavi Period, Architecture of Modern Mosques, Modernism, Critical Regionalism},
volume = {12},
Number = {30}, 
pages = {85-100}, 
publisher = {Art University of Isfahan},

doi = {10.52547/mmi.1875.14000629},
url = {http://mmi.aui.ac.ir/article-1-1168-en.html},  
eprint = {http://mmi.aui.ac.ir/article-1-1168-en.pdf},  
journal = {Journal of Conservation and Architecture in Iran},  
issn = {2345-3850}, 
eissn = {2538-2624}, 
year = {2022}  
}