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Investigating graves, traditions and burial methods, in order to know and understand the culture, beliefs and practices of a society, can be considered as one of the main sources and methods in relation to the knowledge of cultural and religious aspects in different periods. In many cases, archaeologists have been able to recover and recognize a period or a society by examining and identifying graves. The unwritten life of the hidden corners of the ancient people can sometimes be told from the study of the graves, which is somehow related to their beliefs and rituals. Burial methods in every era, culture and society have been a reflection of their beliefs. In the meantime, the people of BMAC culture were not exempted from this rule and had their own burial traditions and buried the dead. The problem of this research is to determine the types and methods of burial related to the BMAC culture. Based on this, the questions are raised as follows: 1- Burials of BMAC culture can be introduced in the form of how many types? 2- Burials of the BMAC culture have been identified in which areas? 3- How can the distribution of BMAC culture burials be explained and analyzed? The research method is descriptive and analytical and library studies. The results of the research show that the burials of the BMAC culture are in the form of five types: Shaft, pit, Cist, Chamber, and Jar burial, which have been identified from settlements in Turkmenistan, Uzbekistan, and Iran. Also, there is a direct and meaningful connection between the types of burials and the structure of social classes in the BMAC culture.
 

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The mutual interaction between man and the environment can be considered as the foundation of social events’ place. The cultural landscape as the result of nature, culture, and history, carries the cultural-natural values which are based on the interaction between human and nature throughout the history. Thus, neglecting cultural landscape as a vital indicator to create perceptual communication can break the meaningful connection between humans and the environment. Accordingly, the main objectives of this research are to find out the constituent components of the Abbas Abad cultural landscape and to identify the unknown aspects of the unique values of these components in the selected case study. The present study with the interpretivism paradigm, has a theoretical-practical nature, and is designed with a qualitative approach and mixed strategies including case study and comparative historical studies. The sampling strategy in field data was targeted non-random. The required data was collected through library and field (interviewing with 13 experts based on the saturation principle) methods. Finding of this process, along with content analysis of historical-comparative study strategy documents, led to the extraction of research findings. Designing urban space based on the cultural landscape as a multi-pronged phenomenon, by shaping a new experience from the urban landscape, will create a social motive as a stimulus to enhance the quality of urban life within tangible and intangible aspects. It means that social life in cities and people’s mental interwoven connection to the city is influenced by the cultural landscape used in urban areas that enhance the sense of belonging and permanence in the process of generational change. On the other hand, addressing the effective physical qualities in the environment such as the scale, distance, time and perception conditions are very effective in creating a connection between the audience and the environment. In other words, using these criteria will enhance the spirit of the place and the beauty of all the processes in a period of time with a certain quality, because the citizen’s mental entanglement will be formed when there is a sense of belonging to the city, in such a way that people consider themselves as active citizens in constructing the city. 

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The gradual exhaustion of Iranian historical contexts has forced anchors, designers, and people to use regenerative and recreational approaches. Combining recreation with creative tourism and a long-term guaranteed income culture will bring about a resurgence. Understanding the paradigms and principles between the two approaches is important with an emphasis on the cultural context in urban spaces such as cultural axes.
The purpose of this study is to evaluate the effect of common approaches of the two approaches on the streets and cultural axis in Isfahan historical contexts. For this purpose, two basic questions are raised: what are the effective indicators from the perspective of creative tourism approach to recreate the historical texture of Isfahan city through urban axes? And what other indicators have the highest and lowest weight in the cultural-tourism axes implemented?
The bottom line is applied research. Research data comes from exploratory and library studies. The data are described through qualitative studies and their analysis is based on qualitative methods. The type of research is qualitative and involves methods such as interviewing and qualitative analysis of documents and the results are qualitative. Achievements demonstrate that the synergy of creative tourism in the forms of creative hardware, creative software, creative organizations with culture-based strategies of recreation, such as tourism, orbital event, branding can bring about a revival of the context. Become a long-term history. The emergence of the synergistic effect of these two approaches in urban spaces can be traced through the streets and through cultural centers, and culture also acts as a driving force for development in urban spaces. Forty indicators have been extracted to measure the quality of cultural axes in four physical, social, economic and environmental dimensions. Based on the findings, the evaluation of the effect of each indicator qualitatively with an emphasis on culture showed that the social and economic dimension had more obvious weaknesses than both
physical and environmental dimensions.